Events

Soul'd Out & 2019 BIAMP PDX Jazz Festival Present
February 26, 2019 8:00 pm

Bob Reynolds is an American jazz tenor saxophonist and Grammy Award-winning member of the band Snarky Puppy. Widely known for his work with both Snarky and John Mayer, he is a prolific composer and recording artist with 9 top-selling solo albums to h... Read more

Bob Reynolds is an American jazz tenor saxophonist and Grammy Award-winning member of the band Snarky Puppy. Widely known for his work with both Snarky and John Mayer, he is a prolific composer and recording artist with 9 top-selling solo albums to his credit. The New York Times called him "a self-assured saxophonist and an unassuming yet effective composer." An independent recording artist, Bob's albums showcase his melodic improvisational style, tuneful songwriting, and, as the LA Times put it: "hip-swiveling" grooves. His 2013 album Somewhere In Between, a seamless blend of jazz, blues, rock and pop, reached #1 on iTunes' jazz charts, and in 2017 he released the albums Guitar Band and Hindsight, both of which landed in the top ten on the Billboard Jazz charts. His latest release, Quartet, features his working band and debuted at #3 on Billboard's Contemporary Jazz chart. They recently completed their first tour to sold-out audiences across Europe.

Born in Morristown, New Jersey in 1977, Reynolds grew up in Jacksonville, Florida, where he started playing saxophone at age 13. Although he listened to a range of music as a kid, by his late teens he was a dedicated jazz student. After high school he honed his skills at Boston's Berklee College of Music, where he mentored with George Garzone, Hal Crook, and others. Bob is a passionate educator and in-demand clinician. He co-founded an annual retreat for saxophonists and, through his Virtual Studio, he helps musicians become confident improvisers. Bob lives in Los Angeles and shares insights on balancing a music career with raising a family through his popular YouTube vlog.       



February 27, 2019 7:00 pm

February 27, 2019 9:30 pm
2019 BIAMP PDX Jazz Fest & Soul'd Out Present

February 28, 2019 7:30 pm

February 28, 2019 10:30 pm
2019 BIAMP PDX Jazz Fest & Soul'd Out Present

March 1, 2019 8:00 pm

March 1, 2019 10:00 pm
Soul'd Out & 2019 BIAMP PDX Jazz Festival Present
March 2, 2019 9:00 pm

Born out of a no-name Seattle basement, High Pulp has been taking the Pacific Northwest by storm. What they first brewed down there is a monstrosity - a high-octane jazz, funk, hip-hop, punk, psychedelic cocktail with foul odors and a bitter taste. I... Read more

Born out of a no-name Seattle basement, High Pulp has been taking the Pacific Northwest by storm. What they first brewed down there is a monstrosity - a high-octane jazz, funk, hip-hop, punk, psychedelic cocktail with foul odors and a bitter taste. It’s chewy too. The addicts call it BAD JUICE and their warning is clear: DO NOT CONSUME. IT WILL MAKE YOU SICK.

How did it come to this? In March of 2017, High Pulp began playing weekly shows at Seattle’s historic jazz club The Royal Room. As the collective took shape and grew together, so did the hype. There’s nothing better than a weekly gig to experimentally develop a new genre - “Future Funk Fusion” in this case. Since then High Pulp has performed Seattle’s most prolific venues and festivals including Showbox Market, Neumos, The Nectar Lounge, The Tractor, The Crocodile, Upstream Music Festival, BAMF, and Big Bldg Bash.

In January of 2018, High Pulp entered the studio with sound engineer Jason Gray of the Polyrhythmics to record their debut album "Bad Juice”. Featuring 8 tracks, this album whisks the listener through a Bad-Juice-induced stupor of euphoria and narcosis. When at any given moment High Pulp drops into a heavy groove on this record, in the next moment the hallucination is shattered. From those shattered remains the next beat develops forward to the next fiery peak, and the cycle continues.

“It’s hard to imagine throwing on this LP and feeling anything less than joy. From the pink flamingos on the cover to the buoyant, flashy grooves embedded in each song, Bad Juice is the soundtrack to your carefree, balmy summer nights. It’s a call to arms for Seattleites to toss away their coffee cups (compost, preferably) and trade up for a tiki drink of their choice. From the magnetic flutter of “Hookai” and the deliciously greasy tribute to local fried Chicken chain “Ezell’s,” the band does their best to encapsulate an endorphin rush through their music.” - KEXP

 


2019 BIAMP PDX Jazz Fest & Soul'd Out Present
March 3, 2019 7:30 pm

Soul'd Out Presents
March 8, 2019 9:00 pm

Over the past 10 years, Seth Walker has become recognized as one of the most revered modern roots artists in the United States; a three dimensional talent who combines a gift for melody and lyric alongside a rich,  Gospel-drenched, Southern-infl... Read more

Over the past 10 years, Seth Walker has become recognized as one of the most revered modern roots artists in the United States; a three dimensional talent who combines a gift for melody and lyric alongside a rich,  Gospel-drenched, Southern-inflected voice with a true blue knack for getting around on the guitar. His latest studio album, Gotta Get Back, produced by Jano Rix of The Wood Brothers, and its companion release, Live At Mauch Chunk Opera House, further expand upon this reputation.

 

Growing up on a commune in rural North Carolina, the son of classically trained musicians, Seth Walker played cello long before discovering the six-string in his 20s. When his introduction to the blues came via his Uncle Landon Walker, who was both a musician and disc jockey, his fate was forever sealed. Instantaneously, Seth was looking to artists like T-Bone Walker, Snooks Eaglin, and B.B. King as a wellspring of endless inspiration. The rest is history. He’s released seven albums between 1997 and 2015; breaking into the Top 20 of the Americana charts and receiving praise from NPR, American Songwriter, No Depression and Blues Revue, among others.

 

In addition to extensive recording and songwriting pursuits, Seth is consistently touring and performing at venues and festivals around the world. Along with headline shows, he's been invited to open for The Mavericks, The Wood Brothers, Raul Malo, Paul Thorn and Ruthie Foster, among others.

 

Seth Walker is currently splitting his time between New Orleans and New York City after  reviously residing in Austin and Nashville. He’s used those experiences wisely, soaking up the sounds and absorbing the musical lineage of these varied places. With a bluesman’s respect for roots and tradition, coupled with an appreciation for—and successful melding of—contemporary songwriting, Seth sublimely incorporates a range of styles with warmth and grace. Perhaps Country Standard Time said it best: “If you subscribe to the Big Tent theory of Americana, then Seth Walker –with his blend of blues, gospel, pop, R&B, rock, and a dash of country—just might be your poster boy.”

 


Soul'd Out Presents
March 9, 2019 9:00 pm

Flip Side is a multigenerational medley of family and friends! Their sound ranges from sultry jazz, to down-home country blues, with a toss of original tunes and pop radio sensations! They play music to dance to, to cry to, and to take home and make ... Read more

Flip Side is a multigenerational medley of family and friends! Their sound ranges from sultry jazz, to down-home country blues, with a toss of original tunes and pop radio sensations! They play music to dance to, to cry to, and to take home and make love to! Flip Side will be featuring vocalists and dance artists from Feral Dance Crew!


Soul'd Out Presents
May 10, 2019 9:00 pm

The old Willie Dixon adage, “blues is truth,” perfectly describes the searing, contemporary blues-rock of world-renowned guitarist and vocalist COCO MONTOYA. Taught by the “Master of the Telecaster,” Albert Collins, but with a... Read more

The old Willie Dixon adage, “blues is truth,” perfectly describes the searing, contemporary blues-rock of world-renowned guitarist and vocalist COCO MONTOYA. Taught by the “Master of the Telecaster,” Albert Collins, but with a hard-edged sound and style all his own, Montoya mixes his forceful, melodic guitar playing and passionate vocals with memorable songs, delivering the blues’ hardest truths. He earned his status as a master guitarist and soul-powered vocalist through years of paying his dues as a sideman with Collins (first as a drummer) and then with John Mayall’s Bluesbreakers, before launching his solo career in 1993. Five years of constant touring with Collins and ten years with Mayall turned him into a monster player and dynamic performer. Montoya has released eight solo albums—including three for Alligator between 2000 and 2007—and has played at clubs, concert halls and major festivals all over the world. Guitar Player says Montoya plays “stunning, powerhouse blues with a searing tone, emotional soloing, and energetic, unforced vocals.”

 

“Stratocaster-fueled, fierce slash-and-burn guitar work…dramatic, smoldering Southern soul-rooted intensity. Montoya’s voice is as expressive as his guitar.” –Washington Post

 

“Montoya is a show-stopper…Heartfelt singing and merciless guitar with a wicked icy burn…he swings like a jazz man and stings like the Iceman, Albert Collins. He is one of the truly gifted blues artists of his generation.” –Living Blues


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